Showing posts with label horror/comedy. Show all posts
Showing posts with label horror/comedy. Show all posts

Friday, May 24, 2019

Buffy the Vampire Slayer (1992) Retro Movie Review



Josh Whedon need we say more? Yes, a lot more!


The script had a concept for a powerful new type of female superhero, a mix of dark humor with comedic tongue-in-cheek horrific stylings thrown in, focusing more on personal relationships than a plot or a point. A genius has a vision, idea, a tremendous leap forward in entertainment marvel for the masses. But, its too far from the normal cookie cutter movie formula for anyone to understand it, much less foster it into life on the silver screen. Yeah, don't listen to the guy who came up with the concept...


Looks like the problems on the film started once the Kuzui's jumped on board to get the movie made. Joss Whedon sold the rights to Sandollar with Fran and Kaz coming in to help put the financing together for the film. Then Fran was given the director position. Her only other director experience came from 'Tokyo Pop' (1988). A small art semi self biographical film that got some critical acclaim. In the end, she didn't 'get' the material nor could she reign in the actors. The casting agent completely nailed the casting. But all the actors did their own thing. Giving the movie a disjointed feel. The feud between Whedon and Donald Sutherland has been well documented, leading to Whedon leaving the production. A lot of people liked Paul Reuben's over the top zany performance but it takes the viewer out of the scene due to the tone being completely different. Seth Green getting left on the cutting room floor is a direct slap to pop culture nerdom in every way possible. He already had created a strong body of work and recognizable to most moviegoers and horror fans (he was in 'It' (1990)). Re-watching this, maybe the only actor or person who got the concept, outside of Whedon, was Luke Perry.


People will point to Wonder Woman (1975-1979) as a man hanging back as a girl does the fighting. But Steve Trevor didn't know Diana Prince was Wonder Woman. He had no relationship with Wonder Woman. Most of the time a superhuman goddess comes out of nowhere solves the case beats up the mere mortal bad guy laughably easy, tells a bewildered Colonel Trevor what happened and who to arrest than disappears before he gets the stupid look off his face and has a chance to hit on her. After which old Stevo has to go back to the nerdy Diana who has this hot Liberian thing going on.


Pike, on the other hand, learns Buffy is the chosen one. Not being emasculated by Buffy being an army-of-one. He hangs back dutifully holding her purse and occasionally handing his better half a stake before scurrying back to where he can get a nice safe view of Buffy's backside. Perry played this role with a soft touch, the end one believes the heartfelt moments, and he doesn't have any alpha male issues boiling under his sweet smile. Kristy Swanson was born to play Buffy! Unfortunately, they had her play the character dumb. She's isn't mentally challenged, she is just a typical teen focused on going to prom, then Europe, and then marrying a famous actor, and then dying.
Letting Whedon leave production is akin to someone firing Steve Jobs from Apple, or turning off Stephen Hawking's computer, or locking Albert Einstein in the bathroom during a meeting, or publishing Stephen Kings script for the Stand after only a thousand pages, or letting a studio head green light a DC movie that isn't Lobo, or ending Games of Thrones before the last book is published. Just shows a little bit more how clueless Fran Rubel Kuzui was. She didn't recognize Whedon's utter total reality smashing genius or how this game-changing script worked. Further proved by the tv show being a huge hit.


Sunday, December 2, 2018

An Hour To Kill (2018) Movie Review


Don't know what the hell I just watched, but I liked it. Director/writer Aaron K. Carter must be mentally ill or using some good shit, or maybe he sees dead people, who knows. The movie keeps taking psychotic left turns to the outfield of insanity. Saying this is a horror film, doesn't cut it. It's more like the comedic Gremlins (1984) than psychological insanity of Evil Dead (1981) with a couple dashes of 'I Spit on Your Grave' (1978). I laughed my ass off and was thoroughly entertained. Even though I'm still thoroughly confused to that I watched. Reminds me of early Peter Jackson's work like Dead Alive (1992) and Bad Taste (1987).


Two hit-men, well one hit-man and one hit-boy, have an hour to kill before their next 'job'. They waste some time by swapping stories. Not really do they see eye to eye on anything or alike in anyway. Frankie is more of the kind of man-child that relaxes by dropping some Molly, put his hair up in a man-bun and crank up some death metal type. While Gio is more of a bourbon and smooth jazz connoisseur.
Each story goes further down the rabbit hole of bad taste. Frankie is played over the top by Frankie Pozos. One of the reasons this movie works is everyone is 'in on it'. No one is trying to show off their classically trained Shakespearean acting skills. Its a low budget horror movie with a silly streak. The Daily Show (1996-) was so much better with Jon Stewart because he was 'in' on the joke, the new guy doesn't realize his show runs on Comedy Central. Arron Guerrero (Gio) plays the straight man, balancing out the cast. Too often directors, writers, and actors forget horror movies need humor. It's one of the reasons why Rob Zombies Halloween (2007) is better than the original. Humor is Yin to horrors Yang. Highs and lows, peaks and valleys, pull 'em in with humor and shock 'em with terror, it takes viewers for a ride.


Nothing in the movie looks low budget. The cinematography is crisp and seamless. Standing up well next to the millions of dollars pieces of garbage Hollywood spews out weekly. Locations are used instead of cheap looking staged sets. One of the problems with Tobe Hooper's 'Eaten Alive' (1976) (budget $520,000) was it was shot on sound stages. Compare that to Clint Eastwood's 'Play Misty' (1971) (budget $725,000) that was filmed on location, you can see the difference. Not known as a horror star (was in 'Revenge of the Creature' and 'Tarantula' (both 1955)) but 'Play Misty' and 'The Beguiled' (1971) are both twisted movies. An Hour to Kill has the look and feel of a movie ten times its minuscule budget of six hundred thousand dollars.


The moral of the story is to get true revenge on a man (for a mid-evil act) is to make his granddaughter dance in a country bar full of rednecks. Or maybe the older man's stories aren't always bullshit. 

Watch 'An Hour to Kill' on Amazon Prime