Saturday, April 25, 2020

Booze, Broads, and Blackjack (2020) Movie Review



"Booze, Broads and Blackjack" is entertaining and easy to watch. Movies like these are the reason cinema was created for the masses, and proof God loves us. No better way to waste a work night (or an epidemic) than plopping down and watching art happen. Director Rickey Bird has dropped several easter eggs throughout the movie as well as several cameos by himself and writer Carl Nicita. "Booze, Broads, and Blackjack" is just an all-around enjoyable movie. The Hectic Film crew made the impossible happen once again, even though they got their film trailer stolen like ten times during production (even saw a video of it being dragged off even though it was chained to a car).


Making a movie based on a book can provide huge challenges. Authors don't have to worry about the cost associated with multiple scenes and wardrobe changes, not to mention exotic foreign locales. When laying ink down on paper, or keystrokes on the magical glowing box that brings me endless joy, it's easy to dream up islands floating in the sky inhabited by blue creatures, huge castles with dragons flying overhead, a spaceship infested with alien life, or even blowing up much loved cultural landmarks throughout the world. Authors don't have to plan to fly a cast and crew to Las Vegas, nor do they have to worry about feeding and lodging arrangements. Set building and CGI is just a stroke of a pen to them.

Director Rickey Bird and Writer Carl Nicita

At the same time, book to film adaptations create an opportunity to enhance the original story. Stephen King movies have greatly benefited from legendary directors improving on the source material. King's movies wouldn't have done so well without great talent behind the camera; "Carrie" (1976) had Brian De Palma, "The Shining'"(1980) had Stanley Kubrick, "Creepshow" (1982) had George Romero, "Christine" (1983) had John Carpenter, "Misery" (1990) Rob Reiner, both "The Green Mile" (1999) and "The Shawshank Redemption" (1994) were done by Frank Darabont.


"Booze, Broads and Blackjack" also took the opportunity to improve on the book. In particular, the character of Savannah in the book was too consequential and random. While reading the book, I really wanted her to turn into the psycho stalker from "Play Misty for Me" (1971) starring and directed by Clint Eastwood. Also fixed was the too cool for school, mister perfect, Jack King. Flawless characters are boring to watch. One reason "Breaking Bad" (2008-2013) was so good was because every character was frustratingly flawed. Jack transformed into the lovable spoiled screwup, who does everything he shouldn't. The movie fixed a couple plot points that didn't quite work. The book also had a bunch of awesome music interwoven into the story, songs that even a major Hollywood movie would have had issues getting the rights to, which this film did a great job working around. The music provided by Ghost Coast Productions, while not as legendary as the classics named in the book, did a great job filling the void.
 

Another reason "Booze, Broads and Blackjack" is so enjoyable to watch are all the beautiful women in the movie; Felissa Rose "Sleep Away Camp" (1983) and "Killer Rose" (2020), Erica Rey "Machine Gun Baby" (2018), and Sarah French "Rootwood" (2018). All too often, movies lacking million dollar budgets have problems attracting beautiful talent. Beautiful people are so much easier to watch. Plus a bunch of cool transition scenes helped the viewing experience.


Also helping the viewing experience are Vincent Pastore and James Duval. Mr. Pastore has had a long and legendary acting career that jumped back and forth between big-budget Hollywood and indie productions. He did a cameo in an awesome movie reviewed here a couple years back called "Pitching Tents" (2017), check it out if you missed it. Because let's face it, we have seen all of his epic roles. Mr. Duval's Generation X social commentary cult classics led an entire generation into the decline of western civilization as we now know it. Seriously, if you haven't watched "The Doom Generation" (1995), otherwise known as Rose McGowan's first real role, or "SLC Punk" (1999), having lived in Salt Lake the repressed Mormon teens come out when the sun goes down (shhhh don't tell the church), still have fond memories of seeing punk bands in cramped basements.



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